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September 19, 2007 It’s been a long
time coming, but PrinceRodriguez’ sophomore recording effort -- /Songs From
The Sod/ – is finished and ready for sale. We spent about two years working
on the new album. Of course, we squeezed in plenty of beer and tequila along
the way otherwise we would have been done in two weeks. But we’re all about
the journey, not the destination.
The album is a mixture of original songs written in the 1980s and new ones
written in the past few years. We drew from our usual gumbo of influences:
Cajun, Tejano, country, pop, rock, and shades of jazz (we’re not trying to
fit into any specific type of musical category -- other than the “Good”
category). We recorded for the first time a song we didn’t write. Our good
buddy Jim Cleveland penned the closing track “Raining In New Orleans.” It’s
a great song and fits well with this project. Once again, the album was
released on Earl Musick’s Reload Record label. Check out the song samples
and order the c.d. right here on our web site. You won’t be sorry, unless
you fall and break your leg while retrieving our CD from your mailbox. In
any case, that would be the fault of fickle fate, not the responsibility of
pickled PrinceRodriguez.
- PrinceRodriguez
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| August 30,
2006 Oops, we just realized we
never announced the final results of Fort Worth Weekly’s Best Of Tarrant
County Awards in June. As you may recall, PrinceRodriguez was
nominated in the Texas Music category along with Stephen Pointer, The Kyle
Bennett Band, Jason Eady, Unwound Band, and Brad Hines. And the winner is…drumroll
please…Brad Hines! (This is where we smile and clap for Hines
while secretly biting our trembling lips and swallowing bitter tears. And
now PrinceRodriguez would like to announce our retirement from music. We’re
losers. We suck.)
Actually, we’re genuinely happy for Brad because he’s been a friend of ours
for going on 15 years and he’s one of the hardest working guys we know. He
deserves any recognition he gets. We had a blast playing at the big show (30
bands in four different bars in downtown’s Sundance Square). We played a
45-minute set at The Pour House between the Rotten Apple Mountain Gang and
Jason Eady. Also appearing on that stage were Calhoun, Chatterton, Black Tie
Dynasty, and The Burning Hotels.
Later, one of the Rotten Apple boys
asked us to play at a benefit at Fred’s Café the following Sunday.
“What’s the benefit for?” Prince
asked.
“Well, I wrecked my car the other day
and I broke my banjo,” Rotten Apple answered.
Sooo, the benefit was for him…to buy
a banjo. Not exactly solving world peace or curing cancer, but still a
worthy cause.
Blue’s Bar and Studio has been filled with music these days as
PrinceRodriguez toils on its long overdue second album. We’re thrilled to
announce that legendary drummer “Rockin” Ron Thompson is laying some drum
tracks for us. Besides being Fort Worth’s premier drummer, he’s a hell of a
nice guy. Ron currently plays with Tommy Alverson’s band, but he’s played
for almost anyone you can think of, including a world tour with Boxcar
Willie, who was treated like royalty in the UK. Ron is featured on one of
the best live rock-n-roll albums of the 1970s – Bugs Henderson and the
Shuffle Kings At Last, recorded at Armadillo World Quarters. If you’ve never
heard that album by the lethal trio of Bugs, Ron, and Bobby Chitwood on
bass, you’re missing some magic. So, Ron, welcome aboard the PrinceRodriguez
express. Hopefully our collaboration will be just a small blemish on your
otherwise sterling resume.
-- PrinceRodriguez |
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| Sharon Oefinger
and Rodriguez at The Pour House |
Prince and
Randall Christopher at The Pour House |
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| June 27,
2006 In our last blog, we took
Fort Worth Weekly to task for not allowing online voting during the 2006
Music Awards contest. Well, uh, never mind. Turns out, you can vote online.
Just go to
www.fwweekly.com and follow the easy directions. This is the first
year that online voting has been available and it surely simplifies the
process. Two-dozen bands among the 100 nominees were selected to perform at
Sundance Square in downtown Fort Worth on Sunday, June 25, and
PrinceRodriguez played a rousing set at the Pour House, along with Jason
Eady, Calhoun, The February Chorus, and several other great Fort Worth
bands. At least 30 of our friends, family, and fans showed up and cheered us
on. PrinceRodriguez is nominated in the Texas Music category and needs your
votes. If we win, we get some sort of plaque to hang on our wall and prove
we’re popular music artists and not just a couple of hacks with guitars and
drinking problems.
-- PrinceRodriguez |
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| May 23, 2006
“You like us! You really like us!” Damn, we must
be geezers to still be paraphrasing that worn out line from Sally Field’s
1984 Academy Awards speech. Who remembers the flying nun, much less her
idiotic speech? Still, you really do like us, or why else would we be
nominated as FORT WORTH’S BEST TEXAS MUSIC BAND in the current
edition of Fort Worth Weekly? (Sure, some people might say it’s because
Prince works at the newspaper and pulled some strings, but those people
would be wrong -- Prince has no pull at the paper). Before we get too damned
proud of ourselves, it’s important to note that being nominated is small
potatoes. This is America, where winning is all that matters, and we’re up
against tough competition (Jason Eady, Brad Hines, Maren Morris, Stephen
Pointer, Kyle Bennett Band, and The Unwound Band). If’n you want little ol’
PrinceRodriguez to revel in glory, you’ll have to fill out a ballot. And,
dammit, ballots cannot be completed online. Sadly, you must actually find a
newspaper, grab a ballot, and fill it out with a pen. (Jeez, this is the
21st Century. C’mon FW Weekly, join the new millennium for chrissakes!).
Ballots must be mailed by June 26. Yes, this is a pain in the posterior,
especially for our busy fans, most of whom are congressmen and CEOs and
don’t have time to fill out forms. But do it for us. Next time we see you,
we’ll give you a handshake, hug, or French kiss (your choice).
In other news, PrinceRodriguez shared the bill with The Steve Tenpenny Band
at Central Market last week and had a great time. It’s a cool scene. Central
Market, at the southwest corner of Hulen Street and I-30, is hosting outdoor
concerts from 6 to 9 pm on Thursdays and hiring some good bands, such as
Billie Joe Shaver and Rusty Wier. The booking agent invited us back, so
we’ll let you know when we confirm our next date.
Other upcoming gigs include a private party on June 17 (“private” means you
ain’t invited…but we’ll be thinking of you with all our hearts!) and the FW
Weekly Music Awards concert on June 25 in Sundance Square. Till then, may a
supreme being bless you.
- PrinceRodriguez
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| February 23,
2006 Randall Christopher, bassist
for The Shorty Wilson Band, was approaching his 40th birthday not long ago
and feeling kind of old and whupped. “I want some fresh-faced
whippersnappers filled with vim and vigor to play bouncy music and make me
feel young again,” he said one night while cleaning his dentures. Naturally,
PrinceRodriguez was first to come to mind, followed by the Steve Tenpenny
Band (STB), that rocking Texas Music group from Austin. Young Tenpenny and
his band members braved a cold night in February to drive up I-35 for a wild
bash at Rodriguez’ sprawling new Blue’s Bar & Studio. The public debut of
this Bar/Studio/Think Tank was a smash hit, with room o’plenty for live
bands, a-drankin’ and a-dancin’ (see photo of Wayne George doing some sort
of twisting two-step Brazilian lambada hybrid thing with Randall’s wife,
Lisa).
PrinceRodriguez opened the show and your favorite Texas troubadors played a
long set or originals and cover tunes and damn near burned down the barn
with its high-energy show (note: it’s great writing our own press!).
The rapidly aging Christopher and his Shorty Wilson bandmate, David on dobro,
provided some tasty chops, and chick singer Sharon Oefinger gave those
golden tonsils a workout and dug deep into her bag of percussion tricks.
The genial solidarity and Zen-like harmony among all of these musicians was
touching.
“Let’s see you beat that, Tenpenny!” Rodriguez hollered after
PrinceRodriguez finished its last song and turned the stage over to STB.
PrinceRodriguez have known Steve since he was knee-high to a stunted
grasshopper. We recall playing guitars at Throckmorton County deer leases in
the 1990s while a teenaged Steven watched and savored the thought of
learning how to play guitar. The next year he showed up with some basic
chord knowledge and a growing confidence in his singing ability. Another
year or two passed and all of sudden he was playing, writing and singing
like a pro and on his way to Austin to be a Texas Music star. He’s doing
great, touring steadily and playing on stages with such lofty celebs as Pat
Green and PrinceRodriguez and carving out a place for himself in the bidness.
Good guy that he is, Tenpenny makes a point to list us as one of his musical
influences. And as talented as he is, we gladly take the compliment.
So happy birthday Randall, thanks a bunch to Steve and his band, and we’ll
see everybody farther on down the road.
-- PrinceRodriguez
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| December 2,
2005 Why hello ever-body. Prince
here to encourage everyone to check out “Hey Love!” -- my first solo effort.
I recorded this album of original material in late summer while Rodriguez
was busy building a tamale empire to add to his chili pepper kingdom. I may
not be a modern day Marco Polo such as Rodriguez, but I can and did create a
damn good album. Well, to be honest, reviews have been mixed. My goal was to
record something haunting and different, and I succeeded. But some people
don’t cotton to haunting and different. Now they tell me! Actually, I fully
expected this project to be an acquired taste. Most of the criticism
centered on the eerie background vocals, which I expected. Maybe I’m an
egoist or simply living in a dream world, but in some strange way, every
time someone trashes my new album, I take it as a compliment. Of course, I
also take compliments as compliments, so I can’t lose! Bottom line: I love
the cd. The music production by Good Oops Studio owner James Michael Taylor
(who is a bit haunting and different himself) is just what I had in mind,
including the odd choral effects he created by stacking as many as 20 tracks
on top of each other. I wouldn’t change a thing and I predict that one day
this album will be fully appreciated as a masterpiece (recall that Van Gogh
never sold a painting in his lifetime). If you haven’t bought a copy of "Hey
Love!" you better shake a leg – only 100 were printed, ensuring the cd will
become a collector’s item sold for thousands of dollars on eBay in the
future. I'll even cut off an ear if necessary. On second thought, being a
musician and all, I'll probably need my ears, so maybe I'll just cut off a
toe. Better yet, a toe nail. Anyhoo, now that “Hey Love!” is finished, I’m
pleased to see that Rodriguez is winding up a hard year of business
endeavors and eager to return to the studio to record a second
PrinceRodriguez album, a collection of our early originals. The Blue’s Bar
studio is finally completed and ready for action. We have four – count ‘em,
four! – cd projects in the works, which should keep us busy for several
years. Stay tuned. Also, if you need any ideas for Christmas gifts,
buy some “Ballad of Pedro Nix” and “Hey Love!”
cd’s for your family, friends and neighbors. In the meantime, look for
us at a party, campfire, or saloon near you.
-- Jeff Prince |
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| September 9,
2005 Dear friends: PrinceRodriguez
humbly apologize for our lengthy absence from our web site, the blog,
emails, the music, and the parties. We suck. We have been overwhelmed with
various projects, most notably the need to build a new recording studio from
scratch. Rodriguez sold his four-acre property earlier this year, including
the Blues Bar – a 900-foot recording studio where the band recorded its
debut cd, “Ballad of Pedro Nix.” That album hit the charts “with a bullet.”
Unfortunately, as Greg Brown once said, the bullet went “right through its
heart.” After spending nearly three years creating “Pedro Nix,”
PrinceRodriguez failed to promote it, a common mistake among addled
musicians who love the music and hate the bidness. Naturally, the cd hasn’t
performed well, although it received some radio airplay in faraway places
such as Norway and Alaska. Excuses are like armpits, but here goes:
Rodriguez sold his house and studio, bought a new house, and expanded his
business. After becoming swamped with these demands, he decided in spring to
take an extended vacation from music. As a result, PrinceRodriguez
completely stopped gigging and recording. The band had a blast at their cd
release party at White Elephant on April 1 (see previous blog) but hasn’t
played a gig since. Prince has played a few solo gigs but is such an airhead
that he repeatedly forgets to take cd’s with him to sell. And now, wouldn’t
ya know it, deer season is approaching, putting another roadblock in the
boys' journey to the Texas Music Hall of Fame (if there is such a thing).
Once those four-legged critters becoming legal targets, Rodriguez heads for
the hills and is rarely seen or heard from for weeks on end. However, good
news is on the horizon. A new studio – also to be called Blues Bar – is
currently framed and well on its way to completion. The new studio will be
bigger (1,200 square feet) and better (better insulated and with private
booths for vocals and mixing). Once the studio is completed, perhaps by
year’s end, PrinceRodriguez will go back to the studio for their second cd,
a greatest hits collection of their best songs from the past 20 years. And
they have vowed to promote this one, along with the “Pedro” cd, with renewed
fervor next year. In the meantime, Prince has been working on a solo album
of quirky love songs he has penned during the past two years. Tentatively
titled “Higher Walls,” the project is being recorded at the Good Oops Studio
in Fort Worth and being produced by local recording artist and all-around
eccentric James Michael Taylor.
-- PrinceRodriguez |
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| May 31, 2005
Dear hearts and gentle people,
Phill was recently featured in the Fort Worth Star-Telegram, which wrote
about his family getting back into the tamale bidness in Cowtown. The
reporter even gave the band a plug, calling our music "Texas Fusion," which
is okay with us, even though we typically call it "country folk rock gospel
pop crap." Come to think of it, Texas Fusion might be better.
- PrinceRodriguez
Return to roots
Family back in business with repurchase of plant
By Barry Shlachter, Staff Writer of the
Fort Worth
Star-Telegram
FORT WORTH - The Rodriguez clan is back in the tamale business. Quietly this
month, brothers Phil and Ernest Rodriguez Jr., and their father, Ernest Sr.,
paid $1.2 million to buy back one of three Rodriguez Festive Food plants in
Fort Worth that they had sold five years ago to CHS Inc., a Minnesota-based
farmers cooperative and food-processing conglomerate.
"It was a clean deal," said Phil Rodriguez, who has spent recent years
building his Azle spice-blending business, North Texas Ingredients, and
recording Texas fusion music with Fort Worth Weekly writer Jeff Prince.
Ernest Jr. has been running a custom cattle feed company, Bar R Feeds, in
Springtown.
Their company, renamed Rodriguez Foods, produces frozen, traditional corn
husk-wrapped beef and pork tamales for schools and the food-service
industry. Most importantly, it reunites the family in a business whose roots
go back to the 1930s.
CHS will continue to manufacture tortillas and tortilla chips at its new
plant in the Railhead Industrial Park, but it has backed out of frozen
prepared Mexican foods. It had entered the field to join the rush into
farm-to-table, vertically integrated operations like those of agribusiness
rivals Cargill and ADM, but things could have gone better.
On Feb. 29, CHS wrote down the value of its Mexican-food facilities by $8.2
million, then moved to dispose of the tamale factory on Decatur Street on
the north side. The deal closed May 10.
"We heard they wanted to sell," said Phil Rodriguez, whose family quickly
decided to make a cash offer. No money was borrowed, he said.
While both sides were eager to seal the deal, 71-year-old Ernest Sr.
underwent triple bypass surgery "right in the middle of negotiations," Phil
said. "It was frantic."
But getting back into tamales "was a dream" for Ernest Sr., who is now on
the road to recovery, he said.
The two brothers will continue their respective ventures while operating
Rodriguez Foods. Their cousin Charles jumped ship at CHS' Harvest Foods to
become general manager with responsibility for sales.
It's the latest chapter in a Fort Worth saga that began in 1920 when the
Mexican Revolution forced the family to abandon its livestock business based
in Guanajuato state and start from scratch in the Stockyards' burgeoning
packing plants.
The family patriarch, Florencio Rodriguez, brought his 10-year-old son
Rudolfo to Texas, picking cotton and vegetables as they moved north from the
border.
In Fort Worth, the boy was deposited at Joe T. Garcia's boardinghouse, where
he remained by himself for a year, helping the future restaurateur there and
at his small grocery until the rest of the family arrived.
At 16, Rudolfo joined his father at the giant Swift slaughterhouse.
Florencio was a supervisor in the hide department while his son held a range
of jobs, from hauling hides to deboning meat. On weekends, Florencio and his
children earned extra money by pulling cockleburs from ox tails, at the rate
of a penny per tail.
Rudolfo began Rodriguez Grocery on the north side in 1942, then enlisted in
the Navy a year later at age 33. He told his wife, Juanita, to close the
small market, saying he'd send home his pay. But when he returned from the
Aleutian Islands after the war, he was surprised to find it not only open
but thriving.
The business remained a grocery until 1964, when it was transformed into a
restaurant at Central and North Main streets. Two years later, Rodriguez &
Sons Tortilla Co. was begun -- with little encouragement from friends in the
Fort Worth business world.
It was run by Rudolfo and two sons, Ernest Sr. and Rudolfo Jr., who were
later joined by siblings Alice, Raul and Charlie.
Three years later, they decided to market beyond the Hispanic community and
approached Pete Riscky, himself the son of an immigrant packing plant
worker, to put their tortillas on the shelves of his north side grocery.
"I don't think they'll sell," the family remembers Riscky as saying. But
sell they did.
The Rodriguezes, later joined by a third generation, diversified into
tamales while the Risckys went from groceries to barbecue, eventually
operating a successful restaurant chain in North Texas.
"A long time ago, when they were first getting started with tamales, Ernest
[Sr.] told me he wished he was in the barbecue business," said owner Jim
Riscky, the son of the chain's founder. "It was something nobody really
bought then.
"Later, I ran into him at the bank, after he had sold out, and said, 'I wish
I had gone into the tamale business.' "
Riscky described the Rodriguezes as "moneymakers who get the job done."
But it wasn't all smooth sailing.
Phil Rodriguez said the family-run business struggled, almost going bust
four or five times until things stabilized around 1980. It hit pay dirt
around 1982, when Mexican food suddenly found mainstream acceptance. The
company secured better food brokers, who approached school districts with
frozen burritos and breakfast tacos, which were soon being shipped as far as
Detroit, Philadelphia and Boston.
"All of a sudden the tortilla was a growth industry," he recalled.
As for the future, Phil Rodriguez said he wants to re-establish the
company's customer base. Sales had expanded under CHS to the "$3 million to
$4 million" range, but there's still much potential, he said.
"First, we're going to make sure customers are absolutely satisfied with the
product and the service," he said. "Then, I think we're going to come up
with new products. Maybe a gourmet product, taking it up a step, say,
chicken verde tamales, or tamales with shredded pork and red chiles."
"We have 4 acres, so there's plenty of room to grow.
"And we will."

Phil Rodriguez, Charles Rodriguez, Ernest Rodriguez Jr., and Ernest
Rodriguez Sr., hold frozen tamales ready for packaging at Rodriguez Foods'
north side plant.
SPECIAL TO THE STAR-TELEGRAM/RICHARD RODRIGUEZ |
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| April 8,
2005 The moment had been a long
time coming – more than three years of writing, rehearsing, and recording.
All of that hard work culminated April 1 when PrinceRodriguez hosted its
official cd release party and unveiled “Ballad of Pedro Nix” to about 50 or
60 folks at White Elephant Beer Garden. Bassist Mike Castillo returned to
the fold to pluck his sunburst Fender bass. Drummer Raul Rodriguez was
missing in action, so we relied on backup singer Sharon Oefinger to work her
magic on percussion instruments. The show started off a bit shaky – the
night was chilly, guitars were jumping out of tune, and the band hadn’t
played a show in many moons. In fact, Set One kind of sucked. So we called
for a break after about 30 minutes and headed to the bar for some go-juice
and mojo reinforcement. “Dammit, let’s quick screwing around and go up there
and kick some ass,” Prince said as Set Two was about to proceed. “If you’re
waiting on me, you’re backing up,” Rodriguez responded. The set list was
tossed to the wind and the band launched into the Stephen Stills classic,
“Love The One You’re With,” always a crowd pleaser. Foot-stomping original
songs such as “Big River” and “Sunblind” were then interspersed with
classics such as “Truck Driving Man,” “Hickory Wind,” and “Angel From
Montgomery,” and the first set jitters were a distant memory. By the end of
the evening, old friends such as singer Jim Cleveland, bassist Frank “The
Mule” Kuban and harpist Danny Berryhill joined us on stage for a wild encore
that included two broken guitar strings, dueling harp solos, a ponytailed
Kuban humping that sunburst Fender like a schnauzer in heat, and Sharon
removing all of her clothes (well, okay, that last part didn’t happen). At
midnight, the Beer Garden closed and the bartender ran us off, so we moved
next door to the saloon to hear the last set by 3 Fools On 3 Stools, a band
that was having their own cd release party. Those dudes should have kissed
our asses and paid us half their gate, since nearly everybody who came to
our show accidentally went into the saloon, paid the cover, and then
realized that PrinceRodriguez was playing next door and NOT CHARGING A DIME
for cover (we love our fans; that’s just the way we are). After the saloon
closed, we all ended up eating late night hamburgers at one of those little
late-night restaurants on Exchange Avenue and then headed to Hotel Texas,
where Jim and Phill and their spouses were staying. Yes, we admit we were a
little noisy. So some complaining guests forced Jeff, Jim and Phill to seek
shelter under a patio at a nearby business that was closed for the evening.
We sat on a wooden deck overlooking the Stockyards and continued to play
guitars and drink whiskey into the wee hours. Phill was bummed because he
thought his mandolin had been stolen (the next morning, he found it lying
under his bed). An old bum named Cowboy walked by and asked for some money.
Jim handed him $20 and the old dude’s eyes got wide. We invited him to sit a
spell and drink some whiskey and beer and he gladly accepted. After an hour
or so Cowboy was pretty drunk and confessed that he was an alcoholic and
hadn’t had a drink in over a year. Sorry to corrupt you Cowboy, we didn’t
know your were a reformed boozer. Hopefully one little night in the
Stockyards with PrinceRodrigez didn’t send you into a alcoholic spiral. Oh
well, if you quit drinking once, you can do it again! Jim is from out of
town and was worried that the police were going to come by and arrest all of
us but we assured him that we would be looked upon as “local color” –
although we would have surely been arrested if the Hotel Texas owners had a
say in the matter. That place used to be owned by Steve Murrin, a real
character who knows how to have a good time. The new owners are a bunch of
nags who griped about every little thing, and even chewed out Jim’s wife for
having the gall to climb atop a saddle that was displayed near the lobby. By
5 a.m. the night had grown windy and cold and the late-night jam session
came to an end. Cowboy stumbled off into the night. Jeff and Jim decided to
sit in the warm hotel lobby and have one final beer. They were talking
quietly about something or another when one of the new owners came out and
told us to go to bed or go away. Oh well, it was 5 am and probably time to
call it a night. We sold quite a few cd's but didn't do a good job of
keeping track of the numbers sold or the money collected. Didn't really
matter -- all of the money got spent on tequila at the White Elephant
Saloon. We'll do it again soon.
-- PrinceRodriguez |
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| February 15,
2005 Note from
PrinceRodriguez: Our good friend (and chick-singer extraordinaire) Sharon
Oefinger sent the following blog:
“There Ain’t No Such Thing As A Free Lunch.” That’s what they say anyway.
Sometimes I’m not so sure. I first met Jeff Prince and Phillip Rodriguez
over 15 years ago at the TANSTAAFL Pub in Arlington. They had been
performing as a duo until they hooked up with a dark-haired beauty named
Linda DeLeon who added some chick vocals and percussion. Unfortunately, the
earnest and sensitive Linda wasn’t a good fit for these two hard-drinking
wild men, and she was quickly ousted from the trio. Hard to say why Prince
remained in good graces with her, but he did, and I guess we’re all better
for it. My free lunch came when Linda introduced me to Prince for a “band”
that was thrown together for a concert to raise money for someone’s sick
kid. We hit it off instantly. And where there’s Prince, there’s Rodriguez.
Thanks to Jeff and Phillip, I’ve learned to drink and talk and carry myself
like a real Hell Cat. The catchy phrases, “Oh?” “Yessir,” and “What tha!”
all common in the PrinceRodriguez vernacular, have made their way into my
business meetings and conferences. I’ve also used their “6 & 6 Rule” with
various circles of friends and business acquaintances to my great advantage
(for the uninitiated, the 6&6 Rule means you can’t be held responsible for
anything you say after 6 p.m. or six drinks.) They treat me like one of the
boys but still recognize that I’m a girl, and while they refuse to let me
mix my whiskey with anything but water, they are always there to pat me on
the head, give me a warm hug or dry my tears when I go sissy on ‘em.
Many years have passed since we first met. There have been many more bands,
many more gigs, lots of Throwdowns, Meltdowns, Musical Extravaganzas,
countless campouts, a couple of evenings passed out on the table/in the
gutter, a handful of tiffs, at least one “full moon” when the boys decided
to go skinny dipping late one night…
...and finally, the CD. I remember clearly the day the idea for the CD was
born, sitting around Phillip’s back yard on a beautiful Saturday afternoon,
drinking a few cold ones. Jeff had just started writing “Bonita.” He hadn’t
quite worked out all the lyrics and in a couple of places he just hummed. I
told him it was beautiful just as it was and to leave it be. He did. It’s
still beautiful. Now, three years later, the CD is finally complete and the
story of Pedro Nix unfolds vividly through the music of PrinceRodriguez.
And I got to be a part of it.
“There Ain’t No Such Thing As A Free Lunch.” Sometimes I’m not so sure.
Sometimes you get lucky enough to cross paths with folks who just set it out
there in front of you. |
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| February 4,
2005 Note from
PrinceRodriguez: Our good buddy Jim Cleveland, longtime friend and fellow
singer/songwriter, sent us this blog about a bygone day:
It was one of those kinds of days. Early afternoon in early spring. The sun
was warm and the sky blue. Willie Nelson “Blue Skies” blue. Dickie Betts
“Blue Sky” blue. It was one of those days when all your bills are paid, you
have money in your pocket, and your wife has sent you on your way to “go out
and have some fun.” It was one of those kinds of days.
PrinceRodriguez (back then they were just regular ol’ Jeff and Phill) came
by my house in south Arlington, picked me up and off we went. We didn’t have
much of a plan on what to do, but judging by the ice chest in the back of
the pickup, cold beer would be involved. We decided a drive in the country
was just the ticket on such a fine day. Phill pointed the pickup south and
we headed for Mansfield. This was early 1980s Mansfield, not the current
Mansfield filled with high priced subdivisions. You could drive for 15
minutes out and feel like you were out of the Metro-mess and back in Texas
again.
We spent an hour just driving the back roads of Johnson County. As I recall,
we all shared a “cigarette.” So there we were, the three of us tooling
around in Phill’s pickup when all of a sudden a beer joint appeared out of
nowhere. It was weird. We’re out in the boondocks and up pops a bar. A
half-dozen pickups were parked out front. The bar’s front door was wide open
and from the road you could see neon beer signs inside. Phill stopped the
truck, looked at both of us and said, “Boys, it is too pretty a day not to
be holed up in a dark bar.” I’ve always thought he should use that line in a
song.
Once our eyes adjusted to the light (or lack of it) we could see about 10 to
12 men sitting at the bar crouched over beers. Everyone turned to look at
us, decided we were harmless and went back to their beers and conversations.
I fetched us a pitcher of beer and we sat down at a table. It was then that
Phill spotted a guitar leaning against the wall in back of a small stage.
Now, the three of us have never been afraid of an audience. We grabbed that
guitar and sat in that bar for a good four hours playing every hard country
song we could think of. Mighty Merle, Lefty, both Hanks, Willie, Waylon and
the boys -- we tore through 50 years of music on a that dusty, out of tune
guitar with bad action. The good people of the bar kept buying us beers and
we kept passing the guitar around, taking requests, singing an original
every now and then. When we finally had to say goodbye to our new friends
there were still several full beers sitting in front of us. That was about
15 years ago. Many times since that afternoon I have tried to find that bar
but I never could. It just appeared out of nowhere for one great afternoon.
Sort of like Brigadoon. I will never forget it. |
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| January 6,
2005
Red River, New Mexico somehow survived the
intoxicating presence of PrinceRodriguez from Dec. 26 to Jan. 1. The boys
hit the ski resort with a vengeance, and the resort hit back. Both of the
band’s namesakes suffered injuries (Rodriguez hurt a knee after
crashing and burning on the ski slopes; Prince injured a knee while dancing
with a redheaded gal on New Year’s Eve at the Bull O’ The Woods Saloon,
which coincidentally is the bar that inspired Ray Wylie Hubbard to write
“Up Against The Wall, Redneck Mother). Alcohol consumed on New Year’s
Eve included, but was not limited to, Bud Lite (tons), whiskey-n-water on
the rocks (bunches); buttery nipples (numerous), kamikazes (one to many),
champagne (way too many). Luckily, the Cuervo bottle was accidentally broken
before any shots were consumed. The trip was mucho fun, although the
good times were dimmed by reports of the tsunami that hit Indonesia on the
same day that PrinceRodriguez, family and friends all arrived in Red River.
Initial news reports estimated the dead at about 20,000. CNN’s images of
death and grief clashed with the reality of beautiful snow-covered mountains
and happy faces on holiday. The juxtaposition was unsettling. By week’s end,
the number of dead topped 140,000, coincidentally the same number of brain
cells killed by PrinceRodriguez on New Year’s Eve. Despite the mental
damage, the boys did work on a new song, a soulful ballad reminiscent of
something Otis Redding or Bobby Blue Bland might have done. Look for it on
the second album. PrinceRodriguez is assembling songs for their sophomore
effort, which they plan to record in 2005 at “Blues’ Bar,” a recording
studio on Rodriguez’s ranch in Parker County.
-- PrinceRodriguez |
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| December 20,
2004 PrinceRodriguez is
thrilled about our new web site and the possibility of selling millions of
cd’s, becoming rich and famous, and having our own action figures. But,
don’t worry, we’ll remember all of the little people we stepped on along the
way and we promise to maintain our down-home generosity and good cheer.
Unlike some people. Bob Dylan was featured on “60 Minutes” recently –
jeez, what a sourpuss. Bitterness must be a wonderful motivator for writing
music, but it’s sad to see a 63-year-old musical genius so pissed off at the
world. An excerpt from his new book “Chronicles: Volume 1” seemed to be
little more than incessant whining. C’mon, Bob, watch “It’s A Wonderful
Life” or do something to put things in perspective. You’d think a guy with
the insight to write “Every Grain of Sand” would be more at peace with
himself in the early autumn of his life. So, PrinceRodriguez offers this Zen
parable as a Christmas gift to Bob: A Chinese farmer awoke one day and found
a wild horse grazing on his pasture. He managed to rope the horse and tie it
to a fence. “That horse will bring a fortune at auction – you are so lucky!”
the farmer’s neighbor said. “Maybe so,” the farmer replied. The farmer then
went and fetched his oldest son, a boy of 16, to break the horse, which
would allow the farmer to earn a better price at auction. His son was thrown
and broke his leg in the fall. “That’s terrible, what with the harvest
season upon us – you are so unlucky,” the neighbor lamented. “Maybe so,” the
farmer replied. Civil War was brewing in China, and the next week one of the
warring factions began scouring the countryside, forcing young men to enlist
in the army. The neighbor’s son was drafted, but the farmer’s son was
spared. “My son has been stolen and will surely die in battle, but your boy
was spared because of his broken leg – you are so very, very lucky,” the
neighbor cried. “Maybe so,” the farmer replied.
-- PrinceRodriguez |
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